Giuseppe Costa began studying piano at 18 and began performing as a concert performer as soon as he graduated in piano. Today he is an artist recognized by Spotify editors and is present in their famous playlists followed by many fans, so his music is listened to in the United States, Germany, the United Kingdom, Australia, Japan and has thousands of monthly listeners on his personal profile.

His musical research began in 2009 when he published with the publishing house SGB of Messina “Curioso” (a twelve-tone piece for solo bassoon) and “Tre brani per pianoforte solo” (pieces written with an experimental approach for the cognitive development of the pianist). For this last work, in 2014, BookCity Milano selected him for a concert conference at the Dal Verme theater. These pieces are part of the “Studi” project.

In 2015 he plays for PianoCity Milano.

Another project dedicated to the piano is “Musica Determinata” to affirm a natural, direct, pure, true approach to music, and to listen to music created instantly, without any written intermediation between the artist and the public.

In 2018 he presented an application of the Intelligible Theory of Listening at the international conference “Performance Analysis: a bridge between theory and interpretation”, held at the “A. Corelli” Conservatory of Messina, in collaboration with the “F. Cilea” Conservatory of Music of Reggio Calabria. Distinguished foreign and Italian speakers participated, including P. Rattalino, E. Fubini, M. Campanella, etc. The conference proceedings were published in 2021 by the prestigious publishing house LIM.

In 2019 he played for the 98th season of the famous Filarmonica Laudamo of Messina at the Sinopoli hall of the Vittorio Emanuele Theater, obtaining great success with the public and critics.

In the same year he published “On Music: intelligible a new way of feeling music, understanding it” and the following year “Beating time or directing?” an application of the intelligible theory on Ravel's Sonatina as an analysis of performance.

In 2020 he published "Il passaggio del pollici", an in-depth study on one of the most important technical elements for studying the piano.

In 2022 he plays for the Conservatory of Vicenza within the season "Il senso della musica".

He teaches piano at the IC Bastiano Genovese in Barcellona Pozzo di Gotto.